That Time I Discovered My Character Has Coronavirus

That Time I Discovered My Character Has Coronavirus

a mostly blue index card outline taped to an exterior door
Today’s excerpts brought to you by the deck door portion of my Stars Fall Out outline.

The other day I reread some of my recent scenes in Stars Fall Out, for reasons of both continuity and procrastination. Given the current, pandemic-type situation we’re in now and all the emphasis on hygiene, I saw the scenes in a new, corona-tinged light. A theory popped into my head, the type of theory one tends to develop after watching something like The Lord of the Rings dozens of times. In my case, it’s not a movie I’ve watched dozens of times, but a book that I’ve been working on diligently for about a year-and-a-half now. Either way, it’s a story I’ve had a great deal of exposure to. Unlike the coronavirus, at least as far as I know. The theory, of course, is that I gave my secondary-world character coronavirus. As it happens, I have plenty of shifty, circumstantial evidence to support this theory.

Exhibit A: Face-touching

“Can you confiscate things?” I turned back to Piroszehlt, and the question burst from me so suddenly that he startled, and his arm dropped off my shoulders. “You might have been right,” I said, though I didn’t have the time for this, “about being the same person. I know you.” I scrambled to my feet, and offered him a hand. “But you don’t know me, not as well as you probably think. Can you confiscate things?”

“What?” He too stood. “Tyatavar, what is this about? What things?”

“Magic things. Ghordaa’s things. Zanhrori got him kicked out of his lab, and he’s investigating. You’re involved, right?”

“Yes,” he said slowly, “I am.”

“Then,” I said, pointing down the hill at the university, to where Ghordaa and my sister navigated the walkways and crowds of students searching for something, someone, and most likely me, “can you confiscate his things, if you need to?”

“Yes,” Piroszehlt said with more confidence, if not understanding, “I can confiscate things.”

“Good,” I said, reaching up to touch his cheek with three fingers. “Because I do like this face of yours, and I’d rather not see it get hit again.”

On rereading, it does also come across kind of clunky. Too many saids. But I’m not editing it for the sake of this blog post because a) I don’t fiddle around with stuff like that before revision and b) it involves the love triangle, which might mean it’s too cheesy to exist anyway.

Exhibit B: Further face-touching

Leaning back in his chair, he touched three fingers to his cheek, stared up at the ceiling, and let that sting.

Tyatavar.

They were as painfully well-matched as a gritty patch of ice and the raw palm you caught yourself on.

Exhibit C: Reference to being out-of-breath

“Do you want to keep it?” he’d asked as we blinked in the sunlight, waiting for our eyes to adjust. He held out the glass anchor wrapped in ratty old fabric.

“The dress? You should probably burn it.”

“You’d be better suited to the task,” he’d said, and shook his head. “Oneiromantic fire. Can you stop doing amazing things for a couple days and let me catch my breath?”

When I wrote it, I assumed that last line was figurative. But I don’t know, maybe he has a virus-related respiratory problem?

Although I’m definitely not taking my story this direction, it’s interesting to think what the consequences would be if this character did actually have coronavirus. Less than a week after the last snippet, he has to give a statement at a hearing with at least two dozen people in attendance.

That might not go so great.

Running up all the stairs in an enormous tower would probably also not go well. Nor would the day-long walk to reach the airship.

On the other hand, I’ve written in the draft that the city of Nirsuathu is a pain to enter and leave. Perhaps the virus wouldn’t spread throughout the Northern Provinces.

Yeah. The other Northern Provinces are sounding pretty good right now. Or any secondary world, for that matter.

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